moving

Walls.

Borders

In response to the similar conceptual approaches used by Aida Silvestri and Yto Barrada I have photographed my own interpretation of the situation, however conceptually my approach is more about the border in which we have to cross in order to live somewhere else which is why I have located my subject on the border of the walls surrounding Chester. Although obviously the struggle to cross is not upon the same level as it is for those illegally fleeing from Africa, the representation of the border which keeps us located in a certain place is clearly visible.

I have chosen to cover the face of my subject to remain anonymous much like Silvestri and Barrada in order to create no distractions from the meaning in which I am depicting visually via a reconstructed representation of a refugee’s struggle to freely leave their homeland. The scarf covering the face of my subject in this situation represents the struggle to see where they are going and enhance the fact that moving from one place to another is not so straightforward¬†for some people.

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