Social Identity.

How do you think the role of photography in our culture is changing, when you think about how it is being used on social media like Facebook, Twitter, Flickr etc? I’m particularly interested to hear your opinions on how you think photography, particularly self portrait photography, is being used to define an individual’s identity. How is our ‘identity’ constructed through the choice of photographs we post online?

My Response:

As humans from early Greeks to modern day we have demonstrated an interest in self-exploration. Our current ‘selfie’ craze is a revolution, which reinforces our social identity over the Internet. Sociological research shows that humans are only capable of intimately knowing 150 people, due to social networking we feel we ought to share with more, as man is a social creature and the thought of loneliness drives us mad.

The problem being is we’re rapidly collecting online friends and not distancing quantity vs. quality. In a world where time is money and we are pressured to achieve more, when it comes to socializing it takes place in real life, in real time where you cannot control how you look or what you say. We’re obsessed with building an online persona so we can present ourselves as we want to be seen, we can edit and therefore delete. We can share pictures of when we look our best; it’s endless personal promotion.

However, sacrificing mere connection for conversation is what makes us feel lonely, we claim to have all these online friends but how many of them can you spend a day with, how many can you have a personal conversation with? We share to feel connected, to define ourselves and to feel less alone but in fact it’s doing the exact opposite as you loose physical human interaction.

Technology is rapidly changing who we are as we feel more and more lonely and vulnerable we turn to social media for what we believe to be stability, a controlled network of friends. Sharing a ‘selfie’, getting likes and comments makes one feel good about themselves but what is the actual value of this? We’re slowly forgetting how to physically interact socially face to face with one another, as we feel more comfortable hiding and controlling who we are via technology.


The Walk… in green.

Becky Beasley, The Walk… in green.

The Laura Bartlett Gallery, 4 Herald Street, London. 

22/02/14 – 06/04/14


Becky Beasley The Walk…in green. Installation View, Laura Bartlett Gallery, London, 2014.

Finding such spacious available gallery space in London is no short of a battlefield for artists and photographers.

The Laura Bartlett Gallery consists of a stunning rooftop open white space with an abundance of natural light and quality lighting surrounding throughout. For a minimalist this show is aesthetically stimulating, the spaciousness to conclude your own interpretations without being harassed by the artists preconceptions is a valuable experience. The space and light opens your mind to embrace the selected pieces of work within the room.

The work tackles the immensity of nature and how a human interacts with it. The show suggests the images are a reflection on Beasley’s childhood memories and a psychological analysis on the origin of nature and human relationship.

Although not disappointed by the show I feel there is room for much more potential within such a stunning gallery. Personally the most visually appealing image was one hung in the corridor which seemed like no part of the show at all. It seems a shame and waste to have almost bland looking pieces of work hanging in the main space. For example the rotating twig, aside that within the press release for the show it explains the intention and meaning behind the brass cast, to most people it seems like abstract contemporary art has gone completely insane. Are we now just hanging twigs up in a white room and calling it art? It’s laughable to some but clear that this show appeals to a minority of people who indulge within the creative world, minimalists and those who over think a philosophical meaning within abstraction.

More information about the exhibition at: